After more than a decade away from recording, Cher’s Closer to the Truth reintroduced her as both survivor and stylist. Morris co-wrote “Woman’s World,” the record’s opening manifesto, structured as an unrelenting dance anthem but grounded in resilience rather than escapism. Its directness borders on austerity: the lyric speaks in declarative sentences, the production in steady four-on-the-floor logic. The effect is less comeback than continuation — an artist and her collaborators treating endurance as aesthetic principle.